Strands of seaweed, horseshoe crabs, shells, broken glass–ocean and human debris–the viscosity of salt water teeming with life–ebb and flow. When animals left the ocean for land, they took the sea with them. Our veins carry the same mixture of sodium, potassium and calcium as sea water. The ocean is our origin.
My hands forage for what the sea gives. I create prints to express its marvels.
A few of my palladium prints that I created from camera-less negatives of these sea fragments are part of an online exhibition https://fayddigital.com/Nature-in-lockdown published by this online magazine which works at the intersection of art, design and the environment.
On exhibit at ChincharMaloney in Taos, NM https://chincharmaloney.com/shop-art/alice-garik
are fifteen of my unique palladium prints. That the black and white palladium prints are in Taos is significant because in Zuni culture the use of black and white in their pottery represents the upper world. The featured print here of her hands crossed in a flight movement with her bird tattoo relates to the world of spirit.
My palladium prints are handmade using the traditional analogue darkroom techniques of making negatives, either camera-less or photographs with a 4X5 large format camera. Brushing palladium on handmade Japanese gampi, I layer my negatives and expose them using the sun. The resulting montage is spontaneous and suggests movement with the images embedded in a paper with the tactility of silk.